Here I’ll include links to published research:

Edgerton, M. Music Within the Continuum. Lambert Academic Publishing (72 pp.). Saarbrücken: Germany, 2015.
Edgerton, M. The 21st Century Voice, 2nd edition. Rowman & Littlefield (324 pp.). Lanham: MD, 2015.

32. Edgerton, M.E., Hashim, N., Auhagen, W. (2014) A case study of scaling multiple parameters by the violin. Musicae Scientiae, Vol. 18(4) 473–496.
28. Edgerton, M.E. (2014). The Extra-Normal Voice. In The Oxford Handbook of Singing (ed. John Nix). Oxford: Oxford University Press.
27. Edgerton, M.E. (2013). The Oak of Mambre #79 for double bass (text and score). Revista Música Hodie, Goiânia, 13:1, 341-349.
26. Edgerton, M.E. (2014). The Extra-Normal Voice: EVT in Singing. In Perspectives on Teaching Singing: a celebration of Vocal Pedagogy in the 21 Century (ed. Scott Harrison and Jessica O’Bryan), Dordrecht: Springer Publishing.
25. Edgerton, M.E., Tan, S., Evans, G., Jang, M. H., Kim, B. K., Loo, F. Y., Pan, K. C., Hashim, N., Amin, J. (2013). Pitch profile of the Glottal Whistle. Malaysian Journal of Science, 32:1.
24. Edgerton, M.E. (2012). Notational Practice of Complex Music. Revista Música Hodie, Goiânia, 12:2, 258-273.
22. Edgerton, M.E. (2012). Desynchronized and Scaled, Multidimensional Networks: Acoustics and Perception. Music and Memory. UPM Book Series on Music Research IV. Edited by Gisa Jähnichen and Julia Chieng. Serdang: UPM Press.
21. Edgerton, M.E. (2010). Messiaen and Birdsong – A Consideration of Avian Dynamics. In Olivier Messiaen: The Centenary Papers (ed. Judith Crispin and Karey Harrison). Newcastle upon Tyne: Cambridge Scholars Press, 2010, 80-101.
20. Edgerton, M.E. (2008). Zappa Speaks Again_the Tempo Mental Rap Variations. In New Music and Aesthetics in the 21st Century, (ed. Claus-Steffen Mahnkopf). Hofheim/Taunus: Wolke Verlag, 6, 135-156.
19. Neubauer, J, Edgerton. M, and Herzel, H. (2004). Non-Linear Phenomena in Contemporary Vocal Music. Journal of Voice, 18:1, 1-12.
18. Edgerton, M.E., Neubauer, J., Herzel, H. (2003). Nonlinear Phenomena in Contemporary Musical Composition and Performance. Perspectives of New Music, 41:2, 30-65.
17. Edgerton, M.E. (2003). A Short Description Of The Influence Of “Scale-Free” Networks In The 1 Sonata, For Piano. Complexity Digest, 2003:51 (Dec. 22, 2003).
15. Edgerton, M.E., Neubauer, J., Herzel, H. (2001). The Influence of Nonlinear Dynamics and the Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition. In Proceedings of the 4th intl conference Generative Art 2001, (ed. Celestino Soddu) Milano: Milan Polytechnic University Press.
14. Levin, T., and Edgerton, M. (2000). Four videofluroscopic images from the article, “The Throat Singers of Tuva” (originally published in Scientific American, September 1999). P.M. Magazine.
13. Edgerton, M.E. (1999). Multiple Sound Sources of the Vocal Tract. National Center for Voice and Speech; Status and Progress Report, 13, 131-140.
10. Levin, T., and Edgerton, M. (1999). The Throat Singers of Tuva. Scientific American, 281:3, 70-77.
08. Levin, T., and Edgerton, M. (1999). Le Chant des Touvas. Pour la Science (Paris), 265, 50-58.
07. Levin, T., and Edgerton, M. (1999). Die Obertonsänger von Tuwa. Spektrum der Wissenschaft.
06. Levin, T., and Edgerton, M. (1999). Los cantores diafónicos de Tuva. Investigación y Ciencia, 278, 70-77.