Edgerton curriculum vitae (March 2016): PUBLICATION & PRESS

[EDGERTON CV as .pdf – edgerton CV (2016-08)]


#86__2 Sonata, for alto flute (2011-12)
#85.a_Ari(rang), for soprano sax (2010)
#80__Keltainen huone, for choir (2008)
#77__A Marriage of Shadows, for flute (a.fl), Alto (tenor) sax, percussion, gtr, voice (2008)
#74__illusions, for e.hn, cl, bn, hn, tpt, tbn, pno, vla (2006)
#73__adjusting to beams falling, for flute and violoncello (2006)
#72__Tempo Mental Rap, for guitar (2005)
#70__1 sonata, for piano (2004)
#66__Sangītaśiromani, for 7 strings (vln & vla) (2002)
#65__Tractatus I, for solo oboe (2002)
#64__String Quartet #1, for string quartet (2002)
#62__Anaphora, for solo voice (2001)
#58__Kalevi Matus, for choir (2000)
#56__le Critérion, for woodwind quartet (fl, ob, cl, bsn) (2000/2008)
#55__Mamre, for violin (2000)
#54__Friedrich’s Comma, for two voices (1999)
#39__A Holy Person Falls into the Nile as a Pelican, for clarinet and horn (1997)
#35__Apposte Messe, for air-driven organ (1996)
#23__XHAIN, for piano duo (1995/2008)
#22__Regret of a Noiseless Sundering, for saxophone quartet (1995)
#25__Songs of Vent (6’00), instrumentation: multi-percussion solo (1995)
#80.b.__Yellow Room (Keltainen huone), for choir (2008)
#49__KOSMOS, volume two on reinforced harmonics, for one to four voices (1998)
#48__KOSMOS, volume one on articulation, for one to four voices (1998)
#46__Azure Suite (4’30) for soprano and overtone singer (1998)
#45__Taffy Twisters (6’05) for voice and percussion (1998)
#43__Sirens (8’21) for four to forty voices (1998)
#41__Lingua-Palatal #1 (3’28), for two voices (1997)
#27__Mountain Songs (4’01), for solo voice (1995)
#87__Party Pieces Project, for orchestra (2013)
#78__Balkan Dance, for 4 blockflöte (tenor, bass F, grossbass C, Subbass F) (2008)
#05__Ai, for trumpet, trombone, tuba (1987)
#09__Unspoken Crime, for violin, violoncello and piano (1988)
#62__Anaphora, for solo voice (2001) [excerpt in The 21st Century Voice]
#54__Friedrich’s Comma, for two voices (1999) [in The 21st Century Voice]

Edgerton, M.  CD of excerpts for The 21st Century Voice.  Rowman & Littlefield (324 pp.).  Lanham: MD, November 2014. 128 excerpts illuminating principles outlined in book will be online at R&L.
raven, le corbeau. Escargot ma non troppo, Paris, 2012 (with Frederique Bruyas).
Alles – Auβer – gewöhnlich. Auditivvokal Dresden, Dresden 2012 (incl. Anaphora)
ELECTRONIC VOICES.  Galerie SPHN, Berlin, 2001.

Digital Online Media
Homepage of Michael Edward Edgerton: https://michaeledwardedgerton.wordpress.com/
Myspace:  http://www.myspace.com/michaeledwardedgerton
Last.FM:  http://www.last.fm/music/michael+edward+edgerton
Youtube: http://www.youtube.com/user/MichaelEdgerton/about
Vimeo: http://vimeo.com/michaeledwardedgerton/videos
Reverb Nation: http://www.reverbnation.com/michaeledwardedgerton

Edgerton, M.  Music within the Continuum. Lambert Academic Publishing (72 pp.). Saarbrücken: Germany, 2015.
Edgerton, M.  The 21st  Century Voice, 2nd edition.  Rowman & Littlefield (324 pp.).  Lanham: MD, December 2014.
Edgerton, M.  The 21st  Century Voice.  Scarecrow Press (224 pp.).  Lanham: MD, February 2005.

Articles & book chapters
34. Herbst, C., Anuar, K., Edgerton, M. (2014). A Distinct Mode of High Pitched Singing. Submission forthcoming.
33. Edgerton, M., Auhagen, W. (2014) Decoupled Violin Production – Perception. Submission forthcoming.
32. Edgerton, M.E., Hashim, N., Auhagen, W. (2014) A Case Study of Scaling Multiple Parameters by the Violin. Musicae Scientiae. Published at SAGE OnlineFirst Sept 2014.
31. Edgerton, M.E. (2014). How Avian Dynamics can illuminate the Relationship between Messiaen and Birdsong. Journal of Musicological Research. In review.
30. Edgerton, M.E. (2013). Music within the Continuum: decoupling parameters within scaled and multidimensional networks; a story of bifurcations, fission/fusion, dissonance/consonance. Perspectives of New Music. In review.
29. Edgerton, M.E. (2013). Party Pieces Project, excerpt #74. In Book for No-Thing (ed. TC Heyde and Sebastian Vaske). Leipzig: Forum Zeitgenössischer Musik Leipzig.
28. Edgerton, M.E. (2014). The Extra-Normal Voice. In The Oxford Handbook of Singing (ed. John Nix). Oxford: Oxford University Press.
27. Edgerton, M.E. (2013). The Oak of Mambre #79 for double bass (text and score). Revista Música Hodie, Goiânia, 13:1, 341-349.
26. Edgerton, M.E. (2014). The Extra-Normal Voice: EVT in Singing. In Perspectives on Teaching Singing: a celebration of Vocal Pedagogy in the 21 Century (ed. Scott Harrison and Jessica O’Bryan), Dordrecht: Springer Publishing.
25. Edgerton, M.E., Tan, S., Evans, G., Jang, M. H., Kim, B. K., Loo, F. Y., Pan, K. C., Hashim, N., Amin, J. (2013). Pitch profile of the Glottal Whistle. Malaysian Journal of Science, 32:1, 78-85.
24. Edgerton, M.E. (2012). Notational Practice of Complex Music. Revista Música Hodie, Goiânia, 12:2, 258-273.
23. Edgerton, M.E. (2012). AuditivVokal. In Festschrift 5 Jahre AuditivVokal Dresden. Dresden: Verein KunstAuditiv Dresden e.V., 2012.
22. Edgerton, M.E. (2012). Desynchronized and Scaled, Multidimensional Networks: Acoustics and Perception. Music and Memory. UPM Book Series on Music Research IV. Edited by Gisa Jähnichen and Julia Chieng. Serdang: UPM Press.
21. Edgerton, M.E. (2010). Messiaen and Birdsong – A Consideration of Avian Dynamics. In Olivier Messiaen: The Centenary Papers (ed. Judith Crispin and Karey Harrison). Newcastle upon Tyne: Cambridge Scholars Press, 2010, 80-101.
20. Edgerton, M.E. (2008). Zappa Speaks Again_the Tempo Mental Rap Variations. In New Music and Aesthetics in the 21st Century, (ed. Claus-Steffen Mahnkopf). Hofheim/Taunus: Wolke Verlag, 6, 135-156.
19. Neubauer, J, Edgerton. M, and Herzel, H. (2004). Non-Linear Phenomena in Contemporary Vocal Music. Journal of Voice, 18:1, 1-12.
18. Edgerton, M.E., Neubauer, J., Herzel, H. (2003). Nonlinear Phenomena in Contemporary Musical Composition and Performance. Perspectives of New Music, 41:2, 30-65.
17. Edgerton, M.E. (2003). A Short Description Of The Influence Of “Scale-Free” Networks In The 1 Sonata, For Piano. Complexity Digest, 2003:51 (Dec. 22, 2003) (http://www.comdig.org).
16. Edgerton, M., Bless, D., Thibeault, S., Fagerholm, M., Story, B. (2002). The Acoustic Analysis of Reinforced Harmonics.  Unpublished.
15. Edgerton, M.E., Neubauer, J., Herzel, H. (2001). The Influence of Nonlinear Dynamics and the Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition. In Proceedings of the 4th intl conference Generative Art 2001, (ed. Celestino Soddu) Milano: Milan Polytechnic University Press.
14. Levin, T., and Edgerton, M. (2000). Four videofluroscopic images from the article, “The Throat Singers of Tuva” (originally published in Scientific American, September 1999).  P.M. Magazine.
13. Edgerton, M.E. (1999). Multiple Sound Sources of the Vocal Tract.  National Center for Voice and Speech; Status and Progress Report, 13, 131-140.
12. Edgerton, M.E. (1999). Palatal Sound: A Comprehensive Model of Vocal Tract Articulation. Organized Sound, 4:2, 93-110.
11. Edgerton, M.E. (1999). Energy, Power, Wisdom:  Examined Sound Production, Form, Process.  Unpublished manuscript.
10. Levin, T., and Edgerton, M. (1999). The Throat Singers of Tuva.  Scientific American, 281:3, 70-77.
09. Levin, T., and Edgerton, M. (1999). Featured Article; The Throat Singers of Tuva.  Scientific American website at: http://www.sciam.com. (Supplemented with audio and video recordings, including a vast array of linking pages.)
08. Levin, T., and Edgerton, M. (1999). Le Chant des Touvas.  Pour la Science (Paris), 265, 50-58.
07. Levin, T., and Edgerton, M. (1999). Die Obertonsänger von Tuwa.  Spektrum der Wissenschaft.
06. Levin, T., and Edgerton, M. (1999). Los cantores diafónicos de Tuva. Investigación y Ciencia, 278, 70-77.
05. Edgerton, M.E. (1996). Physiology of the Vocal Tract. Hanyang University Music Research Journal.
04. Edgerton, M.E. (1996). Suprasegmental Elements.  Hanyang University Music Research Journal.
03. Edgerton, M.E. (1996). Extended Vocal Techniques.  Hanyang University Music Research Journal.
02. Edgerton, M.E. (1994). Sonatina Seconda of Ferrucio Busoni.  Unpublished Doctorate of Musical Arts dissertation project.
01. Edgerton, M.E. (1994). The Late Piano Works of Franz Liszt.  Unpublished Doctorate of Musical Arts dissertation project.

Books, Reviews, Interviews, Essays, Media about my Work
b.13. Jacomucci, Claudio, ed. Modern Accordion Perspectives #2 “Critical selection of accordion works composed between 1990 and 2010” (2014, Edizioni Tecnostampa, Loreto) ISBN: 978-88-87651-54-6
b.12. Josel, Seth (2014/5). The Techniques of Guitar Playing. Bärenreiter Verlag Kassel [discuss #72, Tempo Mental Rap]
b.11. Barabasi, Laszlo (2013). Network Science. Published as Creative Commons at: barabasilab.neu.edu/networksciencebook/. (discussing my composition the 1 sonata, for piano; accessed 2013_05_15)
b.10. Pocci, Vincenzo (2013). Pocci Catalog: the Guide to the Guitarist’s Modern and Contemporary Repertoire. Catalog of the repertoire since 1900 for guitar solo, guitar in chamber music and guitar with orchestra. VP Music Media. (re: #72. Tempo Mental Rap)
b.09. Giovanazzi, Lena (2012). Stimmig – 10 Vokalexkursionen. diploma thesis (University of Applied Sciences Mainz).
b.08. Crump, Melanie Austin (2008). When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America. DMA Dissertation. The University of North Carolina at Greensboro.
b.07. Campagnolo, Gianluca (2008). New Complete Method for Clarinet: Clarinet Repertoire. Edizione C.D.B, Italia.
b.06. Slaby, Z. + Slaby, P (2007).  The Encyclopedia of the World of Another Music (Svìt jiné hudby 2). Prague: Volvox Globator Publishing House, (vol 2), pp. 221-224. ISBN: 80-7207-661-2
b.05. Weber-Lucks, Theda (2003). KörperStimmen. Eine Untersuchung zur Ästhetik Vokaler PerformanceKunst mit einer gendervergleichenden Perspektive. Technische Universität Berlin.
b.04. LaFarga, Manuel (2003). Manuales Auditivo-Vocales; vol. 5 La Voz y el Canto. Cullera: Manuel LaFarga Marqués.
b.03. LaFarga, Manuel (2003). Manuales Auditivo-Vocales; vol. 9 Manual de Psicoacústica. Cullera: Manuel LaFarga Marqués.
b.02. Wilson, Steven (2002).  Information Arts, Intersections of Art, Science, Technology.  Cambridge: The MIT Press.
b.01. Chandra, Arun (1989). On the construction of the passing of time in music.  Thesis (D. M. A.)–University of Illinois at Urbana-Champaign.

Film & Radio
m.03. Thielicke, Stefan (2013). CAGE100, The Party Pieces Project. Trailer [100 composers – 1 piece] with TC Heyde, artist director FZML and Sebastian Vaske, dramatic advisor [document my participation in this project].
m.02. Giovanazzi, Lena (2012). Stimmig – 10 Vokalexkursionen. Magister Arbeit Thesis – Film (M.A. equivalent) Mainz: University of Applied Sciences Mainz. [including my work as composer, performer and teacher]
m.01. Williams, Robyn (2004). “It’s a Small World”. ABC Radio (Australia), Saturday 19 June, 2004.

r.11. Keuk, Alexander (2010). „Wohlfühlabend mit Musik – Dienstagssalon in Hellerau mit dem Ensemble “AuditivVokal”“. Musik in Dresden
r.10. Klempnow, Von Bernd (2012). „Orgasmus für Sopran solo“ Sächsische Zeitung, 2012 Februar 20.
r.09. Riitahuhta, Heikki and Henrika Pihlajaniemi (2009). ”Valoa Kulttuurisiilossa.” Valo. 1/2009, pp. 24-25.
r.08. Emmerson, Simon (2008). Michael Edward Edgerton , The 21st-Century Voice – Contemporary and Traditional Extra-Normal Voice. Scarecrow Press, Lanham, MD, 2008. ISBN 0-8108-5354-X.. Organised Sound, 13 , pp 269-270.
r.07. Köppen, Ulrich (2008). “Eloquent gestures full of tension.” Stuttgarter Nachtrichten 28.04.08
r.06. Lund, Hans-Jörg (2008). “Search for new styles of expression (2008).” Reutlinger General-Anzeiger 29.04.08
r.05. Terrel, Elizabeth (2007). The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice by Michael Edward Edgerton in The Voice and Speech Review, Issue 5, Voice and Gender
r.04. Tonelli, Chris (2006). Michael Edward Edgerton, The 21st Century Voice: Contemporary and Traditional Extra-Normal Voice (Scarecrow Press). Review. Musicworks, 95 (summer 2006).
r.03. Grimmel, Werner M (2004). „A Quattro, zeitgenössische streichquartette bei den rottenburger tagen für neue musik“ Neue Zeitschrift für Musik 3 -Mai/Juni 2004
r.02. Eidenbenz, Michael (2004). “Vier Streicher und eine Musik – ein Rezept, das bis heute mundet“ radiomagazin 25/2004 (Swizerland)
r.01. Strauß, Botho (2001). „Inszenierung von Michael Edward Edgerton und Rebekka Uhlig 27. und 28. Julii.“ Theater der Zeit: Organ des Verbandes der Theaterschaffenden der DDR. Verband der Theaterschaffenden der DDR – Theater. Nos. 5-6, 2001, p. 52.

Press – newspaper, journal, report, program, etc.
p.01. Abertay, The University of.  “Press Release – for immediate use_14 March 2007_Michael Edward Edgerton wins the Kompositionspreis der Landeshauptstadt Stuttgart 2007”
p.02. Abertay, The University of. “White Space – The Journey Continues”
p.03. Aiheesta, Lisää. ”Toppilan kulttuurisiilon rahoitus vielä auki.”  Kaleva.Plus.Kulttuuri. March 17, 2009.
p.04. American Scandanavian foundation. “Public Project Grants”
p.05. Answers.com. “New Complexity”
p.06. ASCI. “12 year report”
p.07. AVFest08. “A Marriage of Shadows”
p.08. Berman, Joan Saks. Momentum and Memento (blog), review on performance of Tempo Mental Rap
p.09. Förderband – Kulturinitiative Berlin. “Reservoir V”.
p.10. Fritschi, Edith. “Ein Amerikaner aus Berlin in Stein” in Schaffhauser Nachtrichten, January 9, 2008.
p.11. Heinilä, Sari. ”uden musiikin Säveltäjä ohjaa nuoret elämyksiin” Järviseutu, 19 November 2008.
p.12. Hoover, Jeffrey. Composition Pedagogy: Writing Vocal Music. Composer USA, series IV, Vol 13, Number 2, summer 2007.
p.13. Kataja, Johanna. ”Nelimarkka-museon oppilaskonsertti soi kokeellisen musiikin merkeissä”. Ilkka, 21 November 2008.
p.14. Krumova, Kremena. “Accordian Composition by American Premieres in Japan.” The Epoch Times. May 26, 2009, p. 82.
p.15. Landeshauptstadt Stuttgart. Pressedienst, 18.04.2007.
p.16. Leverhulme Trust. “Institutional Awards made by the Trustees in July 2006”
p.17. MacPherson, D. Collective Consciousness. Proceedings of Qi and Complexity. Consciousness Reframed 2004, 6th International Research Conference. Beijing China, 24 – 27 November 2004.
p.18. MacPherson, Deborah L. AAG Position Paper
p.19. Mil I Una Veus. “Selección de Textos”
p.20. Mügge, Jens. “Obertontage in Dresden 2009”. webblog (http://overtonenetwork.wordpress.com/), 16. September 2009.
p.21. MSU Alumni Association. “MSU Spartans in the News”
p.22. MSU Newsletter. “Spartans on the Move”
p.23. North Texas, The University of, college of Music, James Scott (Dean). “Annual Report, 2003-04”
p.24. Ortega, Marcella. ”Composers to converge at UNM for symposium” Daily Lobo. 3/30/06.
p.25. Sarrala, Hannu and Helena Laakso. ”Amerikkalainen Kemissä.” Pohjolan Sanomat. May 3, 2009, pp. 3 + 13.
p.26. Smedley, J. Physics 104: Vocal Formants Laboratory
p.27. Sramek, Christoph. 4. Sende(r)musik. Neue Musik im MDR-Studio, Tuesday 11 May 2004
p.28. Unknown. “By the Throat” Folk Roots Nos. 199-200 (Vol. 21 Nos. 7-8) January-February 2000, pp. 27-31.
p.29. Unknown. “Kiinnostava säveltäjävieras Alajärvellä” Järvi – Pohjanmaan Torstai (no 43) 23 October 2008.
p.30. Unknown. ”Kiinnostavan säveltäjän yleisöluentoja Alajärvellä” Järvisentu 15 October 2008.
p.31. Unknown. „Korpereinsatz mit Sogwirkung“ Südwestpresse Rottenburger Post – 6 April 2004.
p.32. Unknown. ”Uuden musiikin huippunimi Alajärvellä” Järviseutu Sanomat, 15 October 2008.
p.33. Unknown. ”Yhteisöllisyys asuinalueen voimavarana – Kulttuurikahvit Toppilan monipalvelukeskuksessa.” Oulu 15, March 6, 2009.
p.34. Van Ryssen, S. The 21st-century Voice. Contemporary and Traditional Extra-Normal Voice. Review. Leonardo, December 2005.
p.35. Wikipedia. “Extended Techniques”
p.36. Wikipedia. “Michael Edward Edgerton”. 2008.
p.37. Wikipedia. “New Complexity“
p.38. Wikipedia. “Types of Throat Singing“

Broadcast Interviews
i.03. Kalvos & Damian’s New Music Bazaar, 2008.  Show #547 (http://kalvos.org/shows.html)
i.02. ABC radio in Australia, 2004. Interviewed for the program The New Science of Networks, “It’s a Small World”, that was broadcast on ABC radio in Australia. Influenced by the new science of “scale-free” networks, my 1 sonata was featured as part of a program discussing the new science of scale-free networks.
i.01. KXLU (88.9 in Los Angeles), 1999. Interviewed by Bonnie Barnett on her radio program devoted to new music