TITLE: Imitating the Vivacity of the Human Voicei_title page and notes w frame

 

CAT# (YEAR COMPOSED): 99 (2017)
INSTRUMENTATION: erhu
PAGES: 6
DURATION (APPROX): 6’20
PUBLICATION: BABELSCORES®
PREMIERE: Premiered by Hu Liu during the 2017 China-ASEAN Music Week at the Guangxi University of the Arts on May 28th.

 

 

2017_05_28_huliu_imitating the vivacity

NOTE: Imitating the Vivacity of the Human Voice, is a meditation on diversity and the roiling of coexistence. In this piece disparate components from east and west do not suggest a transcendent unification. Rather, rhetorical devices such as “Tiaogong” [跳弓] or “Schleifer” [ ] become something else – no longer artefacts presuming cultural retention, but rather discourse to a risky modernism

Technically, Imitating… presents incomplete (and embedded) tuplets on multiple strata that are to be interpreted flexibly in relation to a temporal grid laid out above the notation.

Imitating … continues work with ornamentation as presented by Silvestro Ganassi, in his1280px-Regola_rubertina treatise dal Fontego Opera intitulata Fontegara (Venice, 1535). These ornaments are not to be treated in a historical manner, but rather the performer is asked to simulate non-diatonic contours and gestures, often in competition with an already abundant notation. Such prolongation offered through archetypal symbols provides a fleeting logos that is demonstrably risky.

SCORE:

Recording: (excerpt)

Advertisements