Published Research


b.3. Edgerton, M.  Music within the Continuum. Lambert Academic Publishing (72 pp.). Saarbrücken: Germany, 2015.

b.2. Edgerton, M.  The 21st  Century Voice, 2nd edition.  Rowman & Littlefield (324 pp.).  Lanham: MD, December 2014.

b.1. Edgerton, M.  The 21st  Century Voice.  Scarecrow Press (224 pp.). Lanham: MD, February 2005.


a. 26. Edgerton, Michael Edward and Olaf Tzschoppe. A Multiphonic Harmonic on the Vibraphone. Percussive Notes, Vol. 60, No. 3 (June 2022), 48-53.

a.25. Edgerton, Michael (2021). The Influence of “Scale-Free” Networks in the 1 Sonata. INSAM Journal of Contemporary Music, Art and Technology, volume 7. (published 2021.12.15)

a.24. Edgerton, Michael E.  (2021). A Report on influences from superfluid turbulence in Der Rufer for percussion quartet. Art and Science: ISTE OpenScience. Volume 21- 5, issue 3.    (click for leaflet mode)

a.23. Weisend, John.G. and Michael Edgerton (2021). From Second Sound to Music:  A Special Composition Inspired by Advanced Physics. Cold Facts 37(1), 30-31.

a.22. Edgerton, M.E., Hashim, N., Auhagen, W. (2014). A case study of scaling multiple parameters by the violin. Musicae Scientiae, Vol. 18(4) 473–496.

a.21. Edgerton, M.E. (2013). The Oak of Mambre #79 for double bass (text and score). Revista Música Hodie, Goiânia, 13:1, 341-349.

a.20. Edgerton, M.E., Tan, S., Evans, G., Jang, M. H., Kim, B. K., Loo, F. Y., Pan, K. C., Hashim, N., Amin, J. (2013). Pitch profile of the Glottal Whistle. Malaysian Journal of Science, 32:1, 78-85.

a.19. Edgerton, M.E. (2012). Notational Practice of Complex Music. Revista Música Hodie, Goiânia, 12:2, 258-273.

a.18. Edgerton, M.E. (2008). Zappa Speaks Again_the Tempo Mental Rap Variations. In New Music and Aesthetics in the 21st Century, (ed. Claus-Steffen Mahnkopf). Hofheim/Taunus: Wolke Verlag, 6, 135-156.

a.17. Neubauer, J, Edgerton. M, and Herzel, H. (2004). Non-Linear Phenomena in Contemporary Vocal Music. Journal of Voice, 18:1, 1-12.

a.16. Edgerton, M.E., Neubauer, J., Herzel, H. (2003). Nonlinear Phenomena in Contemporary Musical Composition and Performance. Perspectives of New Music, 41:2, 30-65.

a.15. Edgerton, M.E. (2003). A Short Description Of The Influence Of “Scale-Free” Networks In The 1 Sonata, For Piano. Complexity Digest, 2003:51 (Dec. 22, 2003) (

a.14. Edgerton, M., Bless, D., Thibeault, S., Fagerholm, M., Story, B. (2002). The Acoustic Analysis of Reinforced Harmonics.  Unpublished.

a.13. Levin, T., and Edgerton, M. (2000). Four videofluroscopic images from the article, “The Throat Singers of Tuva” (originally published in Scientific American, September 1999).  P.M. Magazine.

a.12. Edgerton, M.E. (1999). Multiple Sound Sources of the Vocal Tract.  National Center for Voice and Speech; Status and Progress Report, 13, 131-140.

a.11. Edgerton, M.E. (1999). Palatal Sound: A Comprehensive Model of Vocal Tract Articulation. Organized Sound, 4:2, 93-110.

a.10. Edgerton, M.E. (1999). Energy, Power, Wisdom:  Examined Sound Production, Form, Process.  Unpublished manuscript.

a.09. Levin, T., and Edgerton, M. (1999). The Throat Singers of Tuva.  Scientific American, 281:3, 70-77.

a.08. Levin, T., and Edgerton, M. (1999). Le Chant des Touvas.  Pour la Science (Paris), 265, 50-58.

a.07. Levin, T., and Edgerton, M. (1999). Die Obertonsänger von Tuwa.  Spektrum der Wissenschaft.

a.06. Levin, T., and Edgerton, M. (1999). Los cantores diafónicos de Tuva. Investigación y Ciencia, 278, 70-77.

a.05. Edgerton, M.E. (1996). Physiology of the Vocal Tract. Hanyang University Music Research Journal.

a.04. Edgerton, M.E. (1996). Suprasegmental Elements.  Hanyang University Music Research Journal.

a.03. Edgerton, M.E. (1996). Extended Vocal Techniques.  Hanyang University Music Research Journal.

a.02. Edgerton, M.E. (1994). Sonatina Seconda of Ferrucio Busoni.  Unpublished Doctor of Musical Arts dissertation project.

a.01. Edgerton, M.E. (1994). The Late Piano Works of Franz Liszt.  Unpublished Doctor of Musical Arts dissertation project.


bc.06. Edgerton, M.E. (2019). The Extra-Normal Voice. In The Oxford Handbook of Singing (ed. John Nix). Oxford: Oxford University Press. Print publication date: 2019-04-11

bc.05. Edgerton, M.E. (2018). Finding the Ingredients towards Yummy, Unusual Tastes: Extra-Normal Voice. In The Vocal Teacher’s Cookbook (ed. Brian Winnie). Delray Beach: Meredith Music Publications.

bc.04. Edgerton, M.E. (2014). Party Pieces Project, excerpt #74. In Book for No-Thing (ed. TC Heyde and Sebastian Vaske). Leipzig: Forum Zeitgenössischer Musik Leipzig.

bc.03. Edgerton, M.E. (April 2014). The Extra-Normal Voice. In The Oxford Handbook of Singing (ed. John Nix). Oxford: Oxford University Press. Published online: 2019-04-15.

bc.02. Edgerton, M.E. (2014). The Extra-Normal Voice: EVT in Singing. In Perspectives on Teaching Singing: a celebration of Vocal Pedagogy in the 21 Century (ed. Scott Harrison and Jessica O’Bryan), Dordrecht: Springer Publishing.

bc.01. Edgerton, M.E. (2010). Messiaen and Birdsong – A Consideration of Avian Dynamics. In Olivier Messiaen: The Centenary Papers (ed. Judith Crispin & Karey Harrison). Newcastle upon Tyne: Cambridge Scholars Press, 2010, 80-101.


p.02. Edgerton, M.E. (2012). Desynchronized and Scaled, Multidimensional Networks: Acoustics and Perception. Music and Memory. UPM Book Series on Music Research IV. Edited by Gisa Jähnichen and Julia Chieng. Serdang: UPM Press.

p.01. Edgerton, M.E., Neubauer, J., Herzel, H. (2001). The Influence of Nonlinear Dynamics and the Scaling of Multidimensional Parameter Spaces in Instrumental, Vocal and Electronic Composition. In Proceedings of the 4th intl conference Generative Art 2001, (ed. Celestino Soddu) Milano: Milan Polytechnic University Press.