#99__Imitating the Vivacity of the Human Voice, for solo erhu (2017)
#98__Hawking Radiation, for solo percussion and electronic playback with dynamic microphone placement (2016)
#96__Beauty and Disappearance of an Unstable Orbit, for ob., cl., perc., pno., vla., db. (2017)
#91__THRUSH, for piano (2015). Performed by Moritz Ernst on July 12th in Bangkok at the Princess Galyani Vadhana Institute of Music.
#89__The Return of Takhi, the last Feral Horse, for b. cl, trpt, trbn, voice (2014). Performed by Loadbang on 8 June 2016, during the China-ASEAN Music Week, in Nanning, China.
#88. abaGa baʁatur (uncle hero), for choir (2014). Performed by AuditivVokal Dresden on June 14, 2016 in the Palais im Großen Garten, Dresden.
#86. 2 Sonata, for alto flute (2011/12) Performed by Mats Möller on December 3, 2012 in the Experimental Theater at the University of Malaya in Kuala Lumpur.
#85.a. Ari(rang) for sop sax from Folk Songs (2010)
Vietnam television put together a very nice feature of my collaboration with The Six Tones (Ngo Tra My, Nguyễn Thanh Thủy and Stefan Östersjö) with bits from our concert last Monday in Hanoi at Manzi! In the full video our feature begins at approximately 11’00.
My work as composer (Anaphora), performer and pedagogue of voice was documented in a 2012 film titled “Stimmig” by Lena Giovanazzi and Daniel Büche. The film is a documentary about the variety of human vocal expression: Yodeling, overtone singing, buccal speech, laughter yoga, the contemporary classical music´s sound repertoire, esophageal speech, beatboxing and animal voice imitation. The singers featured in the film included: Christian Zehnder, Arjopa, Wolfgang Saus, Angela Mecking, Peter Krause, Michael Edward Edgerton, Angela Wingerath, Kehlkopflosenchor León, Uwe Westphal, 4xSample, PerformanceChor für Experimentellen Gesang Berlin.